Bibliography:
    Poetry:
  • Korekta twarzy (Facial Corrections). Poznan: Wydawnictwo Poznanskie, 1968.
  • Jednym tchem (Without Stopping for Breath). Warsaw: Orientacja, 1970.
  • Dziennik poranny (Morning Journal). Poznan: Wydawnictwo Poznanskie, 1968.
  • Sztuczne oddychanie (Artificial Respiration). London: Aneks, 1978.
  • Ja wiem, ze to niesluszne (I Know It's Not Right). Paris: Instytut Literacki, 1977.
  • Tryptyk z betonu, zmeczenia i sniegu (Triptych with Concrete, Fatigue and Snow). Cracow: KOS, 1980.
  • Atlantyda i inne wiersze z lat 1981-85 (Atlantis and Other Poems) London: Puls, 1986.
  • Widokowka z tego swiata (A Postcard from the Other World). Paris: Zeszyty Literackie, 1988.
  • 159 wiersze 1968-88 (159 Poems). Cracow: Znak, 1990.
  • Podroz zimowa (Journey in Winter). Poznan: a5, 1994.
  • Zimy i podroze (Winter and Journeys). Cracow: WL, 1997.
  • Chirurgiczna precyzja (Surgical Precision). Cracow: a5, 1998.
  • Wiersze zebrane. Cracow: a5, 2006
    Light verse:
  • Biografioly: poczet 56 jednostek slawnych, slawetnych i oslawionych (Biographies of 56 Celebrated, Famous or Notorious Individuals). Poznan: a5, 1991.
  • Zwierzeca zajadlosc: z zapiskow zniecheconego zoologa (Animal Ferocity: From the Notes of a Discouraged Zoologist). Poznan: a5, 1991.
  • Slon, traba i ojczyzna (The Elephant, the Trunk, and the Polish Question). Cracow: Znak, 1995.
    Literary criticism:
  • Ironia i harmonia (Irony and Harmony). Warsaw: Czytelnik, 1973.
  • Jezyk poetycki Mirona Bialoszewskiego (Miron Bialoszewski's Poetic Language). Wroclaw: Ossolineum, 1974.
  • Etyka i poetyka (Ethics and Poetics). Paris: Instytut Literacki, 1979.
  • Ksiazki najgorsze 1975-1980 (The Worst Books). Cracow: KOS, 1981.
  • Uciekinier z utopii. O poezji Zbigniewa Herberta (Fugitive from Utopia: On the Poetry of Zbigniew Herbert). London: Polonia, 1984.
  • Tablica z Macondo. Osiemnascie prob wytlumaczenia, po co i dlaczego sie pisze (A License Plate from Macondo: Eighteen Attempts at Explaining Why One Writes). London: Aneks, 1990.
  • Ocalone w tlumaczeniu. Szkice o warsztacie tlumaczenia poezji (Saved in Translation: Sketches on the Craft of Translating Poetry). Poznan: a5, 1992.
  • Poezja i duch uogolnienia. Wybor esejow 1970-1995 (Poetry and the Spirit of Generalization: Selected Essays). Cracow: Znak, 1996.
Selected translations:

English:
  • The Weight of the Body: Selected Poems. Chicago: Another Chicago Press/TriQuarterly, 1989.
  • A Fugitive from Utopia: The Poetry of Zbigniew Herbert. Cambridge MA: Harvard University Press, 1987.
German: in anthologies:
  • Panorama der polnischen Literatur des 20. Jahrhunderts, Zurich: Ammann, 1997.
  • Polnische Lyrik aus 100 Jahren, Gifkendorf: Merlin, 1997.

Japan:

  • Pōrando bungaku-no okurimono, transl. Moriyasu Tatsuya, Tokyo: Kōbunsha, 1990

Russian:

  • Polskie poèty XX veka, transl. Natalija Astafeva, Vladimir Britanišskij, Sankt-Peterburg: Aletejja, 2000.

Serbian:

  • Povratak kuci, transl. Zoran Đeric, Banja Luka - Beograd: Zadužbina "Petar Kočic", 2002

Barańczak Stanisław

A poet, translator, literary critic, essayist, scholar, editor and lecturer born in Poznan in 1946. He studied Polish at the Adam Mickiewicz University in Poznan, where he became a lecturer and earned his Ph.D. He broke into print as a poet and critic in 1965. Baranczak was on the staff of the Poznan magazine Nurt from 1967-1971. After the political events of June, 1976, he became a co-founder of the Committee for the Defense of the Workers and of the clandestine quarterly Zapis. He has lectured on Polish literature at Harvard since 1981 and is editor of The Polish Review. He was a co-founder of the Paris Zeszyty Literackich in 1983, and is a regular contributor to the periodical Teksty Drugie. He is a leading poet in the "New Wave" and one of the outstanding Polish writers to begin his career in the communist period, combining literary work with scholarship and politics. He is the most prominent translator in recent years of English poetry into Polish and of Polish poetry into English. His Polish is permeated with the language of the poets he feels closest to - Emily Dickinson, John Donne and Robert Frost - and whose work he has made popular in Poland. The original poetry of Stanislaw Baranczak is clearly dominated by three concerns: the ethical, the political, and the literary. His language is extraordinarily supple. His choice of subjects testifies to his community engagement; his language is always amazingly fluent. It may seem paradoxical that Baranczak began as a poetic critic of language and the social order but has achieved his greatest success as a late-twentieth-century Parnassist, a virtuoso of poetic form. His book, Chirurgiczna precyzja (Surgical Precision), won the 1999 Nike prize.

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