 | Bibliography:
Prose and Plays:
- Czlowiek z Marsa (The Man from Mars). Warsaw: NOWA, 1994.
- Astronauci (The Astronauts). Warsaw: Czytelnik, 1951.
- Jacht Paradise. Sztuka w czterech aktach (The Yacht Paradise: A Drama in Four Acts) (with Roman Husarski). Warsaw: Czytelnik, 1951.
- Sezam i inne opowiadania (Open Sesame and Other Stories). Warsaw: Iskry, 1954.
- Czas nieutracony (Time Not Lost). Cracow: WL, 1955;
- Oblok Magellana (The Magellanic Cloud). Warsaw: Iskry, 1955.
- Dzienniki gwiazdowe (The Star Diaries). Warsaw: Iskry, 1971.
- Eden. Warsaw: Iskry, 1959.
- Sledztwo (The Investigation). Warsaw: MON, 1959.
- Inwazja z Aldebarana (Invasion from Aldebarana). Cracow: WL, 1959.
- Powrot z gwiazd (Return from the Stars). Warsaw: Czytelnik, 1961.
- Solaris. Warsaw: MON, 1961.
- Pamietnik znaleziony w wannie (Memoir Found in a Bathtub). Cracow: WL, 1961.
- Ksiega robotow (The Book of Robots). Warsaw: Iskry, 1961.
- Noc ksiezycowa (The Night of the Moon). Cracow: WL, 1963.
- Niezwyciezony i inne opowiadania (The Unvanquished and Other Stories). Warsaw: MON, 1964.
- Bajki robotow (Fairy Tales of Robots). Cracow: WL, 1964.
- Cyberiada (The Cyberiad). Cracow: WL, 1965.
- Glos Pana (His Master's Voice). Warsaw: Czytelnik, 1968.
- Opowiesci o pilocie Pirxie (Tales of Pilot Pirx). Cracow: WL, 1968.
- Doskonala proznia (A Perfect Vacuum). Warsaw: Czytelnik, 1971.
- Bezsennosc (Insomnia). Cracow: WL, 1971.
- Wielkosc urojona (Imagined Magnitude). Warsaw: Czytelnik, 1973.
- Kongres futurologiczny (The Futurological Congress). Cracow: WL, 1973
- Katar (Hay Fever). Cracow: WL, 1976.
- Maska (The Mask). Cracow: WL, 1976.
- Suplement (The Supplement). Cracow: WL, 1976.
- Powtorka (The Repetition). Warsaw: Iskry, 1979.
- Golem XIV. Cracow: WL, 1981.
- Wizja Lokalna (Local Vision). Cracow: WL, 1982.
- Prowokacja (The Provocations). Cracow: WL, 1984.
- Biblioteka XXI Wieku (The Library of the Twenty-First Century). Cracow: WL, 1986.
- Fiasko (The Fiasco). Cracow: WL, 1987.
- Pozytek ze smoka i inne opowiadania (The Uses of a Dragon and Other Stories). Chomotow: Verba, 1993.
- Zagadka (The Riddle). Warsaw: Interart, 1996.
Essays:
- Dialogi (Dialogues). Cracow: WL, 1957.
- Wejscie na orbite (Going into Orbit). Cracow: WL, 1962.
- Summa technologiae. Cracow: WL, 1964.
- Filozofia przypadku (The Philosophy of Accidents). Cracow: WL, 1968.
- Rozprawy i szkice (Considerations and Sketches). Cracow: WL, 1975.
- Lube czasy. Cracow: Znak, 1995.
- Sex Wars. Warsaw: NOWA, 1996.
- Tajemnica chinskiego pokoju (The Mystery of the Chinese Room). Cracow: Universitas, 1996.
- Dziury w calym (Looking for Problems). Cracow: Znak, 1997.
- Bomba megabitowa (The Megabit Bomb). Cracow: WL, 1999.
- Okamgnienie (Split second). Cracow: WL, 2000.
- Rasa drapieżców. Teksty ostatnie. Kraków: WL, 2006.
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Lem StanislawBorn in Lwow in 1921, Lem died in 2006 in Cracow. He is the Polish writer who is the most popular and the most frequently published abroad.
A classic of science fiction, Lem was nevertheless atypical of the writers in that genre - perhaps because he chose it less than freely in the 1940s, when the political oppression of Stalinism made it impossible for him to express himself openly in contemporary novels. Educated as a physician and scientific theorist, Lem possessed expert knowledge of the theory of evolution, mathematics, robotics, astronomy and physics, as well as of literature and many other fields. He became a universal "seeker of wisdom," a philosopher and blazer of the ways opened to mankind by the development of science and technology. His first novel, The Hospital of the Transfiguration, had a contemporary setting. Even here, we can see his central themes: the nature of human thought and human identity, and the ethical problems facing science. Lem then went on to write several score of science fiction novels, stories and plays. In his space exploration stories, Lem poses questions about the role of necessity and accident in physics, biology and human culture; about the future development of technology and its human consequences; about the existence and nature of God and transcendence; about the possibility of communicating with other forms of intelligent life. Taking up basic problems of biology, ethics, and politics, Lem analyzed the paradoxes associated with social progress as new barriers of technological capacity are crossed. The plots of his novels and stories are sometimes positive and sometimes grotesquely funny, making use of and playing games with literary styles and conventions. While always rich in philosophical subtexts, Lem's fictions are always engrossing and suspenseful. After all, they are always the stories of individuals (either humans or fantastic robots) and are steeped in emotions stemming from true contact with the Other and acquaintance with the limits of one's own nature. All of these are among the best-known works of twentieth-century science fiction. Outside Poland and Germany, Lem's collections of essays are less well known: Dialogues, Summa Technologiae, The Philosophy of Accidents, Fantasy and Futurology, The Sex Wars and The Mystery of the Chinese Room. Yet these are the works that most fully reflect Lem's philosophical system and ideas, his fascination with broad horizons and his talent for correct predictions about the directions that the development of science and technology will take. Although he stopped writing fantastic tales in recent years, Lem remained a prolific writer of essays and short stories that continued to reach an established and enthusiastic audience.
We have failed, my dear, to appreciate the role of error as a fundamental Category of Existence. Don't think in Manichaean terms! According to that school, God creates order and Satan keeps trying to trip Him up. Not so! If I can get my hands on some tobacco, I shall write about the final chapters found in books of philosophy, namely an anthology of Apostasy, or a theory of existence based on error, since errors is stamped on error, error uses error, creates error, until probability changes into the Fate of the World.(Professor A. Donda. From the "Memoirs of Ijon Tichy")
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There are more than 31,000 publishers registered in Poland. However, the market is highly concentrated. The 300 largest publishing firms still hold almost 98 per cent of it. More »
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