Selected bibliography:
  • W rytmie korzeni (In the Rhythm of Roots). Wroclaw: Ossolineum, 1963.
  • Postoje pamieci (Stopping Points of Memory). Warsaw: LSW, 1964.
  • Smuga i promien (Smoke Trails and Sunbeams). Warsaw: LSW, 1965.
  • Lista obecnosci (Attendance List). Warsaw: LSW, 1967.
  • W rytmie slonca (In the Rhythm of the Sun). Cracow: WL, 1974.
  • Ptaki dla mysli (Birds for Thought). Warsaw: LSW, 1971.
  • Z poczekalni (From the Waiting Room). Cracow: WL, 1978.
  • Zalnik. Cracow: WL, 1989.
  • Trzy swiaty (Three Worlds). Warsaw: Czytelnik, 1984.
  • Noli mi tangere. Warsaw: PIW, 1984.
  • Wielka pauza (The Great Pause). Krakow: WL, 1996.
  • Osobnego sny i przypowiesci (Dreams and Parables Separately). Warsaw: Okis, 1997.
  • W plynnym stanie (In a Liquid State). Krakow: WL 1998.
  • Stany nieoczywistości. Warszawa: PIW 1999.
  • Supliki, Krakow: WL, 2005.
  • Przelotem, Krakow: WL, 2007
  • Horrendum, Kraków: WL, 2010
Selected translations:

German:
  • Im Rhythmus der Sonne (W rytmie słońca). Berlin: Volk und Welt 1983.
  • Weiß und Schwül. Echert 1988.
  • Im Zeichen des Feuers. Gedichte. Eisingen: Heiderhoff 1997.
  • Voll Geheimnis. Ganz wie die Welt. Eisingen: Heiderhoff 1998.
Serbian:
  • U ritmu koreni. 1972
English:
  • Poems. Austin: Cop Host Publications, 1989.

Kozioł Urszula

Born into a teachers' family in a village near Bilgoray in the Lublin district in 1931, she has been associated since the end of the war with Wroclaw, where she studied Polish, lives, and writes. A poet, novelist, columnist, editor at "Odra" in Wroclaw, and a collaborator with the Kalambur Theatre, Koziol has won the Pietak, Koscielski, City of Wroclaw, and Ministry of Art and Culture Prizes, as well as many other awards. She is a passionate traveller who has journeyed throughout Europe and America, leaving a trail of poems. Urszula Koziol's work is marked by broad poetic gestures, a need to refer to the whole wealth of nature, and vast, sometimes exotic cultural resources. Eden or Versailles are always the background for her landscapes. Provencal love lyrics, the story of Tristan and Isolde, or the tales of Othello and Penelope are the background for her lovers. The intersection of myth and ordinary life also marks her language. Without losing sight of the concrete, how can we bear in mind all that is permanent and infinite? Urszula Koziol manages to do so. Her poetry is full of the aroma of hay and the taste of eternity.

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